07 August 2017
A new five-part series exploring the art and politics of the artist’s manifesto – from the Futurists to Fluxus, from Dada to the present.
When Marx and Engels published their Communist Manifesto in 1848, their rallying cry set the tone and the rhetoric of movements and revolutions to follow – in art as well as politics. Artists adopted the form, with spectacular results.
Over five programmes, artists, historians, authors, architects and cultural critics explore how the manifesto became a creative call-to-arms and ask whether, in this new age of discontent, it still has a place in the world today. From Futurism, Dada and the Surrealists – via the neo-avant garde movements of the 1960s, Situationism, Fluxus and Auto-Destructive art – to the present, including Gilbert and George and the Stuckists, the International Necronautical Society, Black Dada and Grayson Perry’s Red Alan manifesto.
Contributors include Grayson Perry, Gilbert and George, Miele Laderman Ukeles, Tom McCarthy, Hannah Higgins, Gustav Metzger, Hans Ulrich Obrist and Charles Jencks.